Gifts of the Blood (Gifted Blood Trilogy)

  Gifts of the Blood

  Book I of the Gifted Blood Trilogy

  by Vicki Keire

  Copyright 2010 Vicki Keire

  Website: http://www.vickikeire.com/

  Blog: http://vickikeire.blogspot.com/

  This ebook is licensed for your personal enjoyment only. This ebook may not be re-sold or given away to other people. If you would like to share this book with another person, please purchase an additional copy for each person you share it with. If you are reading this book and did not purchase it, or it was not purchased for your use only, then please return to Amazon.com and purchase your own copy. Thank you for respecting the hard work of this author.

  This is a work of fiction. Names, characters, places, and incidents either are products of the author's imagination or are used fictitiously. Any resemblance to actual events, locales, business establishments or persons, living or dead, is entirely coincidental.

  Table of Contents:

  Chapter 1: An Assignment

  Chapter 2: A Visitor

  Chapter 3: In the Shadows

  Chapter 4: Involved

  Chapter 5: Neighborly

  Chapter 6: The Lighter Spectrum

  Chapter 7: Light and Promises

  Chapter 8: A Dark and Terrible Beauty

  Chapter 9: A Reason It's Called Falling

  Chapter 10: Declaration

  Chapter 11: Missing Time

  Chapter 12: The Orchard

  Chapter 13: Half Dark

  Chapter 14: Extraordinary Circumstances

  Chapter 15: Truths Laid Bare

  Chapter 16: D.N.R.

  Chapter 17: Not a Miracle

  Chapter 18: Life Sentence

  Acknowledgements

  About the Author

  Excerpt: Darkness in the Blood, Gifted Blood Book II

  Excerpt: Jenny Pox by J.L. Bryan

  Chapter One:

  An Assignment

  The weather had just turned from unbearably hot to cool with occasional gusts of frigid as I sat with my sketchbook, trying to capture the change of seasons within its pages. The gathering chill made the sky clearer than the muggy haze of full summer; the warm palette of autumn leaves draped the trees every shade of red from blush to blood. I gripped my chunk of graphite, determined to get the assignment exactly right, and looked out over the St. Clare River.

  Autumn was the time of year when my brother Logan and I pulled out long sleeves and boots for the first time and tramped through the woods together, just as we did with our parents before they died four years ago. The woods surrounding Whitfield became our own private, living cathedral. We filled our pockets with its offerings: quartz, oddly shaped pieces of wood, a feather. We linked hands just before sunset and took turns talking to our parents about our lives as we walked. Logan always said he felt them more strongly in the woods than in the graveyard. Then we’d rush home, racing the darkness, and drink hot chocolate and fight over the remote until one of us fell over, dead asleep.

  But not this fall. Things were different. Darker. There was no time for long walks through the woods, and no energy even if time could be found. At night, the stars were sharp as paper cut outs in indigo parchment. The crickets and cicadas had a spectacular backdrop against which to sing their last songs of the year. With luck, I could snatch a few minutes to watch night fall over Blind Springs Park as I sprinted from school to work to home. This fall, I was a freshman at Andreas Academy of Fine Arts with an almost full-time job at the coffee shop two buildings down from our apartment. It didn’t cover all the bills, but it did help keep us in health insurance. Things like insurance were actually important to me now. I kept the local bookstore steadily supplied with hand-painted tarot card decks for extra cash, and did all the other things running a household required that Logan couldn’t. Which was almost everything.

  This fall, Logan had cancer. I watched it leach his brown eyes and his tall, compact carpenter’s body of life and vitality as surely as the approaching winter would rob the forest of color and life.

  My brother’s once strong, sure hands trembled when he did something as simple as open a stubborn jar of pickles. His kind brown eyes were constantly ringed with purplish bruises. Logan, always so active, now had to sit down and rest halfway up the stairs to our third floor apartment. The chemotherapy affected his scent, somehow. I didn't really notice, but our cat Abigail sure did. When Logan came home from a session, she paced the floor and yowled, bewildered as to why he didn’t look, smell, or act like her beloved person. That killed him. Abigail was his baby.

  Worst of all, there was nothing I could do about any of it. I felt so powerless and angry most of the time. Logan had been eighteen when our parents died. I had been fifteen. We were barely old enough to live on our own, but we tried. We took care of each other. Now I wasn’t yet nineteen, and I was doing my best to take care of everything while inside, I was falling apart.

  So when my “gift” decided this was the perfect time to make its reappearance, I shouldn’t have been surprised. Everything else was coming unglued. Why not my head, too?

  I was sitting on a wrought iron bench, graphite in hand, overlooking the St. Clare River, when I sketched a piece of my future. I’d been drawing the future for as long as I could hold a crayon.

  “It’s a gift of your blood, Caspia,” my grandmother used to insist. She was the only one to speak to me about it, this "gift of my blood," back before she died. My family knew I had a strange ability, but no one else talked about its origins. “You’ll see,” she always said, examining the symbols or pictures that seemed to come from nowhere and always frightened me. “You just drew a vision of your future, honey.”

  She was right. Every single ‘vision’ came true.

  It’s not as dramatic as it sounds. It’s not like I draw lottery numbers or predict world disasters. Sometimes, it’s as mundane as a really bad grade or a burned roast that sets off the smoke alarm. Sometimes it’s good things, like picnic-perfect weather or when I drew a picture of our neighbors, who thought they couldn’t have children, with a pair of smiling twins.

  But sometimes, I drew very dark things. Like Grandmother’s death. Or Logan, thin as a rail and sick in a hospital bed. The fire across the street that killed our neighbor’s dogs. The happy family where things got broken and people bruised behind closed doors. Some things I still don’t understand. Either they haven’t come to pass, or they’re just gibberish.

  That autumn afternoon, when I drew a strange and furious man less than a dozen feet away from me, I was hoping for gibberish.

  I was supposed to be sketching the river. I kept staring at the lines of light and dark across its surface, at the way it seemed to catch on boulders and drag itself around them in great huge ripples like wrinkles in muddy silk. My eyes followed the jagged contours of the distant limestone cliffs. The river below me sheltered fish that leapt, glittering, out of its depths, and nurtured the lush woodlands that were just now turning the brilliant fiery colors of fall. Every so often, a storm swept through, swelling the St. Clare River and making it angry enough to flood homes or even drown a person.

  Powerful. Calm. Sheltering. Beautiful. These were the things I was supposed to be drawing, the things my Drawing II teacher, Dr. Christian, had actually assigned to us. “Go draw the St. Clare River in all its fall splendor,” the temperamental Dr. Christian ordered us, shortly after taking roll. A few of the girls actually made quiet sounds of disappointment. That’s how drop-dead sexy Dr. Christian is. Even though he’d just given us the day off, probably half the girls would have happily stayed just to look at him.

  I wasn’t one of them. I loved the weather, and I love
d the Riverwalk. I couldn’t wait to get started, couldn’t wait to lose myself in the sheer joy of creating something out of nothing on the blank page. I was the first one out the door, even though my best friend Amberlyn yelled at me to wait. Despite my freakish prophetic ability, or maybe because of it, I lived to draw and paint. And with all that was going on in my life, I was desperate for some physical and mental escape.

  And yet I couldn’t do it. I couldn’t finish a simple assignment like a landscape sketch. I got the basics done quickly enough. Then I started to relax and focus in on the details, like the massive oak on the far bank charred and split by lightening. My fingers moved as if they had tiny minds of their own, drawing the graphite smoothly, fooling my brain into thinking that strange part of me, the part that had been creating prophetic images for as long as I could remember, had gone to sleep or something. But of course it hadn’t. It had been months since I’d drawn one of my visions, and it had never happened in public before. Ever. When I looked down at the sketch across my knees, an incomplete but distinct figure that had no business being there stared back at me.

  It was male, and I had drawn enough of him to note his protective, even angry stance. He stood with his body squared and his hands loose but steady at waist level, as if he was ready to go for a weapon or block an attack. I had drawn a dark cloud swirling around him. Soaring planes of light and shapes I couldn’t completely make out pierced the dark cloud. The few I could recognize sent my stomach plummeting somewhere south of my ankles: a hand with nails like talons, dripping blood; a shattered knife; a tattered book; a heart-shaped box, smashed to bits. Sleek white lines swirled around the man, whirling with the dark cloud. I squinted. I couldn’t tell what they were, if anything. I had only half-drawn his face before I stopped, so he kind of looked like the creepy Twilight Zone character with no mouth. I shivered and zipped my hoodie up all the way.

  I had managed to finish his eyes. It was only a charcoal sketch, so I couldn’t tell what color they were, but I had done a good job capturing the light in them. His eyes were so light they almost glowed at me out of the charcoal whorls. They were narrowed underneath arched brows, and they practically sparked with anger. His eyes were so angry, in fact, that for just a minute I wondered why my drawing didn’t catch fire right in my lap.

  He stood on the Riverwalk side, just a few dozen feet from where I huddled with the rest of my art class against the October breeze. Of course, in reality, there was no one there. No angry mystery man with only half a face glared at me from the banks of the St. Clare River.

  Instead, groups of art students, clad in thrift store chic, huddled all along the Riverwalk. Some worked and some goofed off. I had been part of the first group until my freakish ability manifested itself again. After that, I kind of froze in horror. Amberlyn sat with her striped tights pressed up against my knee, bent over her own sketchpad. Like me, she had cut the fingers off a pair of knit gloves to keep her hands warm but still allow her to draw. I had been hoping to finish quickly, with time left over to run home and check on Logan before work. Amberlyn was so into what she was doing that she didn’t notice, at first, when I stopped working.

  I should have known better. Amberlyn is really, really observant. It’s part of what makes her such a good artist. And why she can be such an annoying friend.

  “Caspia,” she purred, her voice low and throaty like she’d just swallowed honey. “What is that?”

  “Well,” I heard myself say stupidly. “Um. Nothing. No one.”

  Amberlyn just looked at me like I’d insulted her intelligence. I struggled to sound more convincing. “Really. I have no idea who that is. I just made him up.” Lame, but true. I tried to cover with a nervous giggle. That was my mistake. I wasn’t the giggling type, and Amberlyn knew it.

  “Caspia, honey,” she drawled, prying the bar of graphite from my fingers. She looked at it in disgust and threw it in the trashcan the next bench over. I’d snapped it into pieces and ground part of it to dust. “I know you’re stressed out. It looks like you just drew a man being eaten by a tornado, or something.” She squinted and tilted her head slightly sideways, trying to get a better look. I flipped the drawing facedown so she couldn’t see it, trying to look nonchalant about it. She sighed and took my charcoal smeared fingers in her own and massaged them, not caring that I was getting black dust all over her cute pink fingerless gloves. “I just wish you’d tell me if someone’s tormenting you so much you need to devour him with an imaginary tornado. Instead of doing your homework, no less.” She clucked her tongue in mock severity. “I’m trustworthy. I won’t even tell Logan,” she taunted, emphasizing my brother’s name with a wink.

  “Oh, God, Amberlyn, shut up!” I squealed. I did not want to think about my best friend and the crush she’d had on my brother since the seventh grade. I jerked my hands away and grabbed the sketchbook from my lap. “It’s just… I was just daydreaming, ok? Seriously. There is no one.” I started to rip the picture from the book to wad it up, but she stopped me.

  “No, wait,” she insisted, snatching my sketchbook away. She ignored my squeals. “Daydreaming or not, this is really good, Caspia.” She crinkled her perfectly shaped little nose and narrowed her golden-green eyes. “In a Gormenghast meets William Turner kind of way.”

  “A fantasy-horror landscape painting. That just about sums up my life right now,” I moaned, falling back against the bench. My head felt hot and heavy. I let it drop into my hands. “They say there’s truth in art.” I realized I was near tears.

  “Oh, Caspia. Sweetie.” She let her golden-brown curls rest against my shoulder. “You know what you need?” Amberlyn snaked an arm around my shoulder. Even in fall, she managed to smell like cocoa butter. “You need a caramel latte with extra caramel. And you need me to buy it for you.”

  I sat up straight and looked out over the river. School was supposed to be the easy part of my day, and here I was, almost crying. I still had work and chores and homework and Logan. I had better shape up. Then I realized I had just lumped my brother in with chores, and almost started crying again. A sudden chill breeze helped bring me to my senses; I quickly wiped my tears and reached for my knapsack. “I have to check on Logan before I go to work at the place that makes the caramel lattes. Making my own makes it less of a treat,” I grumbled.

  “Mmm hmm. Just go ahead and be difficult then. Because then I won’t have to tell you how much charcoal you just smeared on your face, wiping away your own tears when you had a friend right here to do it for you. And I surely won’t have to go buy three extra caramel lattes that someone else made so Logan can have one too and then bring them up to your apartment while you clean yourself up for work.”

  Amberlyn had already smoothed my incriminating drawing and closed my sketchbook, tying it tightly closed with its black leather cord. She held it with uncharacteristic solemnity. Her golden-brown spiral curls blew all around her café-au-lait skin. In the afternoon light, she looked angelic. I felt suddenly, powerfully alone. We’d been best friends since we both showed up on the first day of junior high with identical cartoon lunch boxes, cementing our eternal torment and instant solidarity all in one day. But my visions were a secret I had never shared. Not even Logan or my parents were comfortable with the subject; Gran had been the only one.

  I felt heavy with secrets and pent-up emotions. “You don’t have to do all that.” I started to refuse, but my voice came out in a whine even I was sick of hearing.

  “Just promise me two things.” I nodded, ready to sign over my first born child for the chance to catch up with Logan, grab a shower, and drink pure sugary sin with my friend before work. Amberlyn slapped me on the forehead with the front of her hand. “Don’t be such a martyr. You and Logan are like family.” I scowled and rubbed my forehead.

  “And the other thing?” I prompted warily, ready to smack her back, if necessary.

  She swept her corkscrew curls out of her face with one hand and held my sketchbook out to me with the other. “Don�
��t you dare trash that picture. It’s good, Caspia. Really original.” I gave her the barest nod before slipping it into my knapsack. A part of me wished it had been my firstborn child after all. She had no idea what that picture represented to me. All my feelings of freakish isolation and impending disaster came bubbling up, threatening to overflow. But then I stopped myself. What if it wasn’t bad this time? What if it really was just a picture of some random guy?

  I realized then I wasn’t afraid of the picture so much as I was of my “gift” reawakening, in public, when everything else was so out of control. But my visions weren’t something I could control. Never had been able to. I slung my knapsack across one shoulder and gave Amberlyn a wicked grin. “Try not to get eaten by tornadoes on your way over,” I teased. “Logan might actually notice this time.”

  I tried to dodge the flying object I knew was coming but I wasn’t quick enough.

  ***

  I burst through our apartment door, slightly breathless from my sprint up two flights of stairs. We lived two floors above Mr. Moore’s tiny hardware store, and one floor above Mr. Moore himself. Jackson Moore had been my father’s best friend, and took it upon himself to watch over us after he died. When settling my parent’s estate meant selling the turn-of-the-century house Logan and I had been born in, Mr. Moore insisted we take the empty apartment above his. He kept the rent reasonable, and even let Logan and I do some renovations instead of putting down a deposit.

  Logan started working odd jobs for him when he was around sixteen. When our parents died, his part-time job grew into a full time job at the hardware store as Mr. Moore’s head carpenter. But it had been months since Logan could carry lumber or pound a hammer. So I was learning all kinds of things about insurance, disability, dependants, deductibles, and claims processes until I thought my head might explode. Mr. Moore patiently helped me through all of it. Neither one of us brought up “the details” with my brother. He had enough to worry about, trying to hang on to his husk of a failing body.